Posts Tagged ‘music theory’

Should I Sing Loudly or Softly? – Dynamics Markings In Music

In your music you will often see various markings and abbreviations. Some of these markings are “dynamics” markings and are used by the composer or arranger to indicate the relative loudness or softness desired in the music. See the table below for the more common abbreviations and their meanings.

Abbreviation Meaning Term
p Soft volume piano
pp Very soft volume pianissimo
ppp Very, very soft volume pianississimo
mp Moderately soft volume mezzo-piano
mf Moderately loud volume mezzo-forte
f Loud volume forte
ff Very loud volume Fortissimo
fff Very, very loud volume fortississimo
< or cresc. Gradually increase volume Crescendo
> or decr. or decresc. Gradually decrease volume decrescendo
dim. Gradually decrease volume diminuendo

Note that these are relative terms. The director will guide you in setting the correct volume level, but your knowing what these abbreviations mean will be helpful to you and the choir.

Dynamic markings are part of larger set of markings called “expression markings” that are used to indicate how music should be performed. I will address other expression markings in another post.

  • Share/Bookmark

More about repeats – D.C. and D.S.

In an earlier lesson we learned about simple repeats. In this lesson you will learn about the following repeat instructions:

  • Da Capo or D.C.: Repeat from the beginning
  • Da Capo al Fine or D.C. al Fine: Go back to beginning and sing to Fine
  • Dal Segno or D.S.: Repeat from the sign
  • Dal Segno al Fine or D.S. al Fine: Go back to the sign and sing to Fine

Read the rest of this entry »

  • Share/Bookmark

How To Read Music Lesson 5- Time Signatures

In previous lessons we have discussed only 4/4 time. You learned that in 4/4 time there are 4 beats to a measure and a quarter note gets 1 beat. You learned that a measure is the space between two bar lines, so if there are 4 beats to a measure there must be notes and rests between the bar lines that add up to 4 beats.

Fig. 1

Fig. 1

You learned that in 4/4 time a whole note gets 4 beats, a half note gets 2 beats, a quarter note gets 1 beat, an eighth note gets 1/2 beat, and a sixteenth note gets 1/4 beat. You also learned that there are rests that correspond to each note value: whole rests, half rests, quarter rests, eighth rests and sixteenth rests.

In this post you will learn about some other time signatures and how to count them. Read the rest of this entry »

  • Share/Bookmark

How to Read Music Lesson 4 – Dotted Notes and Rests

In the previous lesson we discussed tied notes. Tied notes are a way for us to add notes together, allowing us to extend the sound of notes. In this lesson we will learn about another method of extending notes by using dot notation.

We use dot notation to extend the length of notes.

When we want to extend the length of a note, we can place a “dot” after the note to extend it. The dot increases the length of the note by one-half. This means that if you place a dot after a half note which gets two beats, then the dot adds 1 beat to the note so that a dotted half note gets 3 beats.

Read the rest of this entry »

  • Share/Bookmark

What’s An Octave?

They Told Me That I Was Singing An Octave Too Low.  What is an octave?

Sometimes in our rehearsals there is a bass singer who is singing an octave lower than the other basses. When the director says that someone is singing an octave too low, it makes no difference because the offending bass does not know what an octave is. In this lesson you will learn what an octave is and hear some examples.

Many basses think that to sing bass means always to sing low. They don’t think that they are singing bass if they are not rumbling at the bottom of their vocal range. Bass is the lowest voice, but the top of the bass range overlaps the other voices and therefore some bass notes are not very low. If your choir director has told you that you are singing an octave too low, then you need to keep reading. Read the rest of this entry »

  • Share/Bookmark
Upcoming Events
  • no upcoming events
  • Yossele Rosenblatt: The Cantor With The Heavenly Voice
    He was said to have sang while still in the crib and toured Eastern Europe synagogues before he was 10. And that was just the beginning. By the 1920s, Rosenblatt transcended the boundaries of Jewish sacred music to become an international sensation. […]
  • First Listen: Steve Reich, 'Double Sextet, 2x5'
    The composer's innovations have been distilled and polished to a new, compelling sheen in the Pulitzer Prize-winning Double Sextet and the new, rock-inflected 2x5. Hear both works here until they're released on Sept. 14. […]
  • Opera Noir: Alban Berg's 'Wozzeck'
    As he struggles with jealousy and poverty in this powerful tragedy, the psychologically disturbed title character endures ridicule from his superiors and undergoes bizarre medical experiments. […]
  • First Listen: 'Cantique,' With The Music Of Arvo Part
    The Estonian composer's evocative music has opened a window into a world of spiritual ideals and aspirations, and attracted many fans along the way. Hear Cantique, the new CD of Pärt's music, in its entirety. […]

  • Photo: Paolo Fresu
    A Blog Supreme is on vacation. Until we return, we are periodically leaving you with some shots from The NPR Jazz Photography Pool on Flickr. Here, Vicenzo Cosenza writes about capturing the great Italian trumpeter on film recently. […]
  • First Listen: The Bad Plus, 'Never Stop'
    It may be one of the leading names in jazz, but The Bad Plus probably wouldn't mind if you called it a weirdo instrumental rock band. Hear the decade-old trio's latest album, the all-original Never Stop, in its entirety until its release on Sept. 14. […]
  • Six Decades Of Jazz With Nat Hentoff
    Hentoff was 11 years old, strolling along a Boston street, when he first heard jazz clarinetist Artie Shaw's famous composition "Nightmare" and was hooked. He has spent roughly six decades covering the world of jazz, and he's collected his thoughts and memories in a new book, At the Jazz Band Ball: Sixty Years on the Jazz Scene. […]