Archive for August, 2009

Singing and Breathing

Correct breathing is fundamental to good singing. This post addresses the most basic aspect of breathing, taking the breath.

In my experience I have found that breathing for singers is similar to breathing for athletes and wind instrumentalists. The breath should be taken low. Imagine that your lungs are not in your chest but are in your belly. If you are one of those fortunate people who does not have a belly, then imagine that you have a belly and that your lungs are in your imaginary belly. When you take a breath, imagine that the air is filling your belly. When you sing, release the air in your “belly” by using your stomach muscles to control the airflow. You don’t want all of the air to rush out at once. You want the air to flow out in a controlled manner. Your belly should be hard. Read the rest of this entry »

  • Share/Bookmark

Should I Sing Loudly or Softly? – Dynamics Markings In Music

In your music you will often see various markings and abbreviations. Some of these markings are “dynamics” markings and are used by the composer or arranger to indicate the relative loudness or softness desired in the music. See the table below for the more common abbreviations and their meanings.

Abbreviation Meaning Term
p Soft volume piano
pp Very soft volume pianissimo
ppp Very, very soft volume pianississimo
mp Moderately soft volume mezzo-piano
mf Moderately loud volume mezzo-forte
f Loud volume forte
ff Very loud volume Fortissimo
fff Very, very loud volume fortississimo
< or cresc. Gradually increase volume Crescendo
> or decr. or decresc. Gradually decrease volume decrescendo
dim. Gradually decrease volume diminuendo

Note that these are relative terms. The director will guide you in setting the correct volume level, but your knowing what these abbreviations mean will be helpful to you and the choir.

Dynamic markings are part of larger set of markings called “expression markings” that are used to indicate how music should be performed. I will address other expression markings in another post.

  • Share/Bookmark
Upcoming Events
  • no upcoming events
  • Samuel Barber At 100, Reconsidered
    He was once dismissed as a composer for "high middlebrow taste." But Barber, who wrote the famous Adagio for Strings, would not be criticized if he were an emerging composer today, 100 years after his birth. […]
  • Barber's 'Adagio': Naked Expression Of Emotion
    There's a simple logic behind Samuel Barber's emotional Adagio. It progresses from a single note to high emotional wailing to release to final acceptance. On today's centennial of Barber's birth, take a guided tour of the music with commentator Rob Kapilow. […]
  • Suds And Sensibility: Barber's Violin Concerto
    Barber's beautiful concerto came about at the request of a soap magnate named Samuel Fels. Although the business end of the commission was sullied, the concerto came out sparkling. Hear violinist James Ehnes play the piece in concert. […]
  • The Life And Music Of Samuel Barber
    In the middle of the 20th century, when composers were writing with angularity and dissonance, Barber forged his own lyrical, romantic style. By the time he was 26, he'd composed the iconic Adagio for Strings. […]

  • Live Tonight: Nicholas Payton At The Village Vanguard
    He found his footing in jazz through its hard-swinging main stem. But after he'd proved his hard-bop mettle, he took a fork in the road toward electric experimentalism. Now, trumpeter Nicholas Payton seems comfortable pursuing a middle ground. Listen live Wednesday at 9 p.m. ET. […]
  • Five Songs, Ten Classic Tenor Titans
    The tenor sax is a powerful instrument. This is especially apparent in music created by mighty jazz masters whose skills shaped sounds still reflected in present-day compositions. Hear five great pairings, battles and studio jam sessions. […]
  • The Jazz Community As A Road Map
    Most people who pass through the jazz community only travel down certain main thoroughfares. But in order for there to be a vibrant community, you need all those side streets, some of which are trafficked heavily by people in the know, others which remain mostly quiet. […]